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In designing the credit sequence for the film, graphic designer Daniel Kleinman was inspired by the cover of the 1953 British first edition of Casino Royale, which featured Ian Fleming’s original design of a playing card bordered by eight red hearts dripping with blood. Kleinman said, “The hearts not only represent cards but the tribulations of Bond’s love story. So I took that as inspiration to use playing card graphics in different ways in the titles,” like a club representing a puff of gun smoke, and slashed arteries spurting thousands of tiny hearts. In creating the shadow images of the sequence, Kleinman digitized the footage of Craig and the film’s stuntmen on the Inferno visual effects system, at Framestore CFC in London; the actors’ silhouettes were incorporated into more than 20 digitally animated scenes depicting intricate and innovative card patterns. Kleinman decided not to use the female silhouettes commonly seen throughout the Bond title sequences, considering that the women did not fit with both the film’s spirit and the storyline following Bond falling in love.
For the rest of the film, special effects and miniature effects supervisor Chris Corbould returned to a more realistic style of film making and significantly reduced digital effects. According to Corbould, “CGI is a great tool and can be very useful, but I will fight to the tooth and nail to do something for real. It’s the best way to go”. Three scenes involving primarily physical effects in the film were the chase at a building site in Madagascar, the Miami Airport chase sequence, and the sinking Venetian house, with sets located on the Grand Canal and in Pinewood Studios.
After becoming a 00 agent, James Bond hunts down a bomb maker in Madagascar, which leads him to shady financier Alex Dimitrios in the Bahamas, and then to a plot to blow up the prototype Skyfleet airliner at Miami Airport. By preventing the bombing, Bond leaves criminal banker Le Chiffre on the verge of bankruptcy – Le Chiffre lost his clients’ money by betting on Skyfleet’s failure on the stock market. Le Chiffre sets up a high-stakes poker game in Montenegro to win back the lost money. Bond attends with Treasury agent Vesper Lynd and wins, but Le Chiffre kidnaps Lynd and tortures Bond in an attempt to regain the winnings. They are saved when Mr White, a senior figure in terrorist organisation QUANTUM, kills Le Chiffre. However, Lynd is secretly working for White and has made a deal with him to save Bond’s life. In love with Lynd, Bond resigns from MI6 and travels to Venice with her. There, he realises she has betrayed him and stolen the money. After a gunfight with QUANTUM’s men in a collapsing Venetian villa, Lynd lets herself drown because she cannot bear the burden of her guilt. Bond pursues White and shoots him in the leg, then introduces himself; “The name’s Bond, James Bond.”
In designing the credit sequence for the film, graphic designer Daniel Kleinman was inspired by the cover of the 1953 British first edition of Casino Royale, which featured Ian Fleming’s original design of a playing card bordered by eight red hearts dripping with blood. Kleinman said, “The hearts not only represent cards but the tribulations of Bond’s love story. So I took that as inspiration to use playing card graphics in different ways in the titles,” like a club representing a puff of gun smoke, and slashed arteries spurting thousands of tiny hearts. In creating the shadow images of the sequence, Kleinman digitized the footage of Craig and the film’s stuntmen on the Inferno visual effects system, at Framestore CFC in London; the actors’ silhouettes were incorporated into more than 20 digitally animated scenes depicting intricate and innovative card patterns. Kleinman decided not to use the female silhouettes commonly seen throughout the Bond title sequences, considering that the women did not fit with both the film’s spirit and the storyline following Bond falling in love.
For the rest of the film, special effects and miniature effects supervisor Chris Corbould returned to a more realistic style of film making and significantly reduced digital effects. According to Corbould, “CGI is a great tool and can be very useful, but I will fight to the tooth and nail to do something for real. It’s the best way to go”. Three scenes involving primarily physical effects in the film were the chase at a building site in Madagascar, the Miami Airport chase sequence, and the sinking Venetian house, with sets located on the Grand Canal and in Pinewood Studios.
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Ace Rothstein, who runs one of the casinos located among the glittering buildings of Las Vegas city, is notorious for its gambling sprees and nightlife. Since the day he stepped into this sector, he has tried to get on well with other casino owners and has done his best to maintain his credibility with his environment. However, after the day his close friend named Nicky starts helping Ace Rothstein with his business, things start to take a turn for the worse.